Elements can include user-inputted information and “intrinsic” data, such as the date. They ensure that files are correctly labeled. Presets are a way for future recipients to communicate with those responsible for sending the data to them. As Hedge moves data from camera cards and other storage sources, a review panel will pop up to prompt the operator to insert the required data. They do this by creating a preset that they send to Hedge operators during the data transfer. Those who receive files can now specify what elements of information they need to organize and process those files. Hedge users reported that proper file-tracking is a serious and growing problem, forcing editors to spend valuable creative time naming and annotating incoming files. It is a critical part of a modern video workflow. Keeping track of files involves knowing what they’re for, where they’ve come from and why they’re important. “These product releases are a direct result of their most popular and persistent requests, and customers actively helped in testing these releases in their workflows.”Įlements is Hedge’s term for the varied and customizable metadata that users can now associate and keep with a file to clarify the role of that file for other creative and technical professionals later in the workflow. “Hedge customers have been a driving force in our product development and roadmap from day one,” says Paul Matthijs, co-founder/CEO of Hedge. The company says these updates address common challenges today’s modern video editors face: dealing with unorganized media that requires custom-built metadata fields RAW transcoding and ensuring individual media archives can span multiple LTO tapes. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata.Hedge has released three product updates to its suite of tools for filmmakers and video pros: Hedge Elements, EditReady RAW and Canister Spanning. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. Use the overlay editor to position graphical elements for compositing on top of your video. Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Every codec gets transcoded as its makers intended it to. No unofficial frameworks, and zero hacks. Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |